What is The Catcher in the Rye about short summary?
What is The Catcher in the Rye about short summary?
The Catcher in the Rye, novel by J.D. The novel details two days in the life of 16-year-old Holden Caulfield after he has been expelled from prep school. Confused and disillusioned, Holden searches for truth and rails against the “phoniness” of the adult world. He ends up exhausted and emotionally unstable.
What reading level is Catcher in the Rye?
The Catcher in the Rye
| Interest Level | Reading Level | Word Count |
|---|---|---|
| Grades 9 – 12 | Grades 3 – 12 | 73404 |
What does Holden realize at the end?
He confesses, “I was damn near bawling, I felt so damn happy.” But Holden also admits he doesn’t know why he feels so happy, or why he’s on the brink of tears. This would entail believing that his happiness at the end of Chapter 25 is genuine and that this happiness predicts an eventual, full recovery.
Why is Holden in the mental hospital Catcher in the Rye?
He had depression over the loss of his brother, which is a perfectly natural and understandable thing. He says so throughout the book, and he exhibits symptoms of depression, such as an inability to concentrate and anhedonia, a lack of interest in just about anything.
What is the first line of Catcher in the Rye?
The opening lines from JD Salinger’s original ode to teen angst: If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I …
Why is The Catcher and the Rye a classic?
Universal Themes and Content For many readers, The Catcher in the Rye changes the way they identify with literature. Feeling a lack of agency, or control, in their own lives is a part of the adolescent struggle. It is not uncommon for young readers to identify with Holden Caulfield.
Is The Catcher in the Rye hard to read?
CATCHER is hard to read for some people. This may be in part because of the narrative voice and the confining first-person point of view. Both are tricky and limiting, but first-person is the less clumsy of the two. Either one feels confining to me and I would normally use them only in short stories.