When did Shirin Neshat leave Iran?

When did Shirin Neshat leave Iran?

Neshat left Iran to study art in Los Angeles in 1974, just prior to the Iran Islamic Revolution; she did not return until 1990.

Is Shirin Neshat religious?

Born in Iran, Neshat emigrated to the United States in 1974 at the age of 17, and today has photographs, films, and videos in museum collections across the country. The Iran she knows is filled with poetry and mysticism; the Islam she practices is one that celebrates beauty.

What type of art does Shirin Neshat make?

Contemporary art
Shirin Neshat/Periods

Shirin Neshat is a contemporary Iranian visual artist best known for her work in photography, video, and film (such as her 1999 film Rapture),which explore the relationship between women and the religious and cultural value systems of Islam.

What does Shirin Neshat write about?

Shirin Neshat’s photographic series “Women of Allah” examines the complexities of women’s identities in the midst of a changing cultural landscape in the Middle East—both through the lens of Western representations of Muslim women, and through the more intimate subject of personal and religious conviction.

Who influenced Shirin Neshat?

director Abbas Kiarostami
When Neshat first came to use film, she was influenced by the work of Iranian director Abbas Kiarostami. She directed several videos, among them Anchorage (1996) and, projected on two opposing walls: Shadow under the Web (1997), Turbulent (1998), Rapture (1999) and Soliloquy (1999).

Who is Shirin Neshat?

Shirin Neshat was born in 1957, Qazvin, Iran, but she came to the United States at the age of seventeen, just a few years before the Iranian revolution. She studied painting at the University of California at Berkeley.

What is Neshat series about?

The series questions the role of Muslim Women and the female body in relation to the violence they encountered throughout the revolution. Neshat uses specific iconography ideas such as the veil, text, guns, and the hardened gaze to suggest contradictory ideas such as repression, submission, resistance and aggression. (Smith 61).

How does Shirin Neshat use calligraphic text in her photographs?

Throughout the Women of Allah series, Shirin Neshat employs the use of direct calligraphic text on her photographs to create a pure, sensual visual presence and a material ornament that indicates meaning.

How does Neshat incorporate her culture into her work?

Yet, Neshat incorporates it into her work in order to demonstrate her culture through her photographs. She stated in an interview, “you can study the culture by studying the women: the way they dress, the way their own society changes, the way they have to wear the chador.